A lot of people think that hardcore is dead sadly the ones who started the scene thought so (You know who you are) but they’re all wrong. Sprouting from Belgium the northernmost part of Gaul (somewhere in Europe) a band named “A Strength Within” possesses raw hardcore sound the same sound of the hardcore bands we’ve love from Agnostic Front, Strife, Madball, Earth Crisis, Ratos de Parao, Cro-Mags and more (a lot to mention). A lot of bands now a days change their sound to get into the band wagon. From Hardcore to Post-hardcore to even Metalcore. Why the sudden change of musical style? It’s all about demographics baby! It’s where the money’s at. There is nothing wrong with that (there’s always room for progress) it’s just a brave move to all aspiring hardcore bands out there to join the hardcore movement were money is out of the question ‘coz their ain’t no money in hardcore.
This is pure D-I-Y no bull brotherhood. You wanna make it to the top you have to work from scratch no major label backing you up. You’ll be your own manager, you’ll do the merch, the sound checks, the bookings and you have to do your own advertising. It does’nt matter how many kids come to the show as long as they give their ALL – that’s the true essence of hardcore. Hardcore is all about brotherhood (I have your back you got mine attitude), meeting new friends, solidifying the bonds of people with common views and perspective in life. Enough about the preaching “A Strength Within” is pure hardcore energy. Joining them are local acts like Obscure, Straight Forward, Out for Blood, Realize and Mouthful of Air. All are equally brutal in their own respective ways. Props goes to Reconstrux Bookings for making this brutality possible and for giving me the honor to cover the gig. Shout out to Ian Soliva, Rico Desengano and few other Pinoys in the crowd.
Q & A with Mike Nijs
Before the show I had the chance to talk to ASW frontman Mike Nijs.
Kris: How do think of the weather in Singapore?
Mike: It’s fine but we are not use to this kind of weather although we’ve been to Bangkok before we’re still not use to it. We reach the air port with thick coats so we have to remove it mediately or else will melt. (laugh).
Kris: How’s the HxC scene in Bangkok?
Mike: It’s crazy! (laugh)
Kris: What are your expectations in the Singapore hardcore scene?
Mike: No expectations at all. We rather play for 5 people who’s into hardcore than 200 people doing nothing just standing and drinking beer.
Kris: How’s the HxC scene in Belgium?
Mike: Now kids in Belgium are more into the mainstream hardcore the ones with big production and big names like Madball and Agnostic Front. People are getting less interested. Which is very sad.
Kris: Bands now a days tend to change their music style for marketing purposes. Did you ever play any kind of music aside from hardcore?
Mike: No we didn’t play any kind of music aside from hardcore and we are not planning to change it.
Kris: When your next destination after this?
Mike: We’ll be playing 3 shows in Malaysia and another 3 at Indonesia.
Kris: Are you planning to drop by in Philippines? The hardcore scene there is pretty much as big and crazy as Thailand.
Mike: We love to go there but not on this tour. Hopefully next year. On this tour we are loosing money but we don’t care. It’s all about the HxC scene.
Kris: What band(s) are your major influences?
Mike: Cruel Hand, No Turning Back, 50 Lions, No Warning
Kris: What do you think of the Singapore HxC scene?
Mike: When I think about lion city, I think of a very small but dedicated HxC scene. I spoke with a lot of people who share the same ideals like we have. Unity, respect and dedication. So they are all in for the right reason. We as a band we’re 10,000kms from home but still felt so welcome. So we will definitely come back in the near future to support lion city HxC.
Kris: Any massage you what to give for aspiring hardcore bands.
Mike: HxC is more than music. It’s a way of life, a mindset. Decisions you have to make in daily live are sometimes hard. But if you follow your own ideals and let nobody ever hold you down, you can overcome and achieve anything. Do your own thing.
Live & Raw
Here are few photos from the live performance of “A Strength Within”. The stage lighting at Home Club is not good but also not that bad (stop complaining just shoot). From ISO 2600 – 3500 I’ve manage to have tolerable noise. Some how the photos are a bit warm but need not to worry a simple tweaks from Lightroom did the trick. Basically all in manual setting except for the focus of course. My aperture runs between F2.8-4 depending on the lens I use but I always tend to go for the widest aperture possible.
It’s always good to start on some inanimate objects specially any indication of the bands identity which is a sticker on this scene. Lens used Nikon 16-35mm F4G VR II @ 16mm F4. You must think I’m crazy using this lens on the field… well that’s what I’ve though of Nikon when they said the Nikon D700 can handle noise perfectly up to ISO 6400. Maybe all Nikon users are crazy. (evil laugh) It just happen that I’m using Nikon gears but any brand will do for me (seriously).
Action starts with Mike Nijs roaring his words out. Lens used Nikon 16-35mm F4G VR II @ 35mm F4.
A good transition from regular straight forward shots to a much wider and closer approach. Seems like the viewer will feel the same action I felt. Lens used Nikon 16-35mm F4G VR II @ 16mm F4.
Worm’s eye view – never get tired of it. Always works on this kind of photography. Lens used Nikon 16-35mm F4G VR II @ 16mm F4.
Another gear shot. Never fails. Ooooh love that “boke-licious”. Lens used Nikon 70-200mm F2.8G VR II @ 200mm F2.8.
Tom Overloop the beat maker. Make sure you don’t forget to shoot the drummer. He’s the heart of the band, he put the beat into the music. Lens used Nikon 70-200mm F2.8G VR II @ 70mm F2.8.
Crowd shots with frontman always works. Lens used Nikon 16-35mm F4G VR II @ 16mm F4.
Groove maker Yves Wils doing his thing. Making sure everything is in tune. Lens used Nikon 70-200mm F2.8G VR II @ 70mm F2.8.
Kevin Nijs on the foreground doing his brutal riffs. Wide over-head shots a good way to show the whole band in action. Lens used Nikon 16-35mm F4G VR II @ 16mm F4.
You can view the complete set on my flickr photostream. All photos taken with Nikon D700, Nikon 70-200mm F2.8G VR II and Nikon 16-35mm F4G VR II. I use my Think Tank Retrospective 30 for easy access on my gears. So far the best bag I’ve used on concert photography. Happy viewing. Cheers!